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Global Film Revenue and Distribution Data: Endgame
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About
Analysing the theatrical performance of a global cinematic phenomenon involves tracking revenue patterns across domestic and international markets. These records document the financial journey of Avengers: Endgame, capturing its trajectory as it sought to become the highest-grossing film in history. By detailing weekly and weekend earnings, including the impact of its strategic theatrical re-release, the data provides a window into modern blockbuster economics and audience engagement on a global scale.
Columns
- Date: The specific time period or weekend during the theatrical run.
- Rank: The film's standing relative to other box office releases during that period.
- Gross: Total box office revenue earned in USD for the specific period.
- Adj. Gross: Inflation-adjusted gross revenue (standardised to 2009 values).
- G_Change: Percentage shift in gross revenue compared to the previous period.
- Theatres: The total number of cinema venues showing the film.
- T_Change: The numerical change in the count of showing theatres.
- Avg: The average revenue generated per individual theatre.
- Cum_gross: The running total of gross revenue collected since release.
- Week_no: The sequential week number within the release cycle.
- Tickets: The estimated number of individual tickets sold.
- Country: The specific distribution territory or nation.
- Distributor: The company responsible for the film's distribution in a region.
- Release_date: The specific date the film opened in a given country.
- Opening: The gross revenue earned during the opening weekend in USD.
- Open_share: The percentage of the total opening weekend market captured by the film.
- Gross (Foreign): The total overall revenue earned in a specific foreign country.
- Gross_share: The percentage of the film's total global gross originating from that country.
- Population: The total population of the distribution country.
- Region: The broader geographic world region.
Distribution
The records are organised into four distinct CSV file categories: weekly performance, weekly performance including re-release data, weekend performance, and overall foreign summaries. The domestic weekend file, for instance, contains approximately 1.43 kB of data across 20 unique time entries. The data maintains a high integrity level with a 100% validity rate for core fields and is assigned a maximum usability score of 10.00.
Usage
This collection is ideal for film industry analysts looking to model decay rates in blockbuster revenue or compare domestic versus international market shares. It serves as a robust resource for researchers studying the impact of theatrical re-releases on cumulative gross. Furthermore, it can be used for academic purposes to teach data cleaning and trend analysis using a high-profile, real-world example of entertainment economics.
Coverage
The scope is global, encompassing both domestic North American figures and international distribution across numerous countries and regions. Temporally, it covers the 2019 release window, starting with the opening weekend of 26-28 April and spanning approximately 20 weeks of theatrical presence.
License
CC0: Public Domain
Who Can Use It
Market researchers can leverage these figures to understand the distribution of revenue across different world regions. Film historians and students may use the records to document the commercial milestones of the Marvel Cinematic Universe. Additionally, data scientists can utilise the metrics to build predictive models for future major franchise releases.
Dataset Name Suggestions
- Avengers: Endgame Global Box Office Performance Metrics
- Marvel Cinematic Universe: Endgame Financial Tracking
- Historical Box Office Analytics: Avengers Endgame
- Global Film Revenue and Distribution Data: Endgame
- Avengers: Endgame Domestic and Foreign Box Office Logs
Attributes
Original Data Source: Global Film Revenue and Distribution Data: Endgame
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